The
movie Slumdog
Millionaire
(2008) directed by British director Danny Boyle has achieved that
rare feat of satisfying film critics and audiences alike. It is one
of the best works of this very talented director. However, upon my
first viewing, I was not as enthusiastic about the film. I had been
somewhat impressed with it in terms of editing and its magnificent
energy boosted by a great soundtrack, but I had erroneously dismissed
it as another successful crowd-pleaser. I had brushed it off as light
entertainment and did not fully understand the critical hype around
this film, which included winning an outstanding eight Oscars
(incidentally more than one of my all-time favorite films, the
brilliant classic Lawrence
of Arabia
made by David Lean in 1962).
So
what made me change my mind about Slumdog
Millionaire?
I think although the movie does well on a number of levels and
layers, I had not fully appreciated the intricacy of its script, that
is, its philosophical premise and weight. It had struck me as a fairy
tale albeit interspersed with moments of unflinching but restrained
brutality involving torture and other traumatic experiences. To my
defense, this movie is such a genre bender -- drama, action, romance,
you name it -- and has a lot of glitz and dazzle so that one can miss
out on how intricate the philosophical message is.
First
off, this movie is rare in the sense that it is spoiler-proof. I
cannot really give away anything here. While the ending may be
predictable, it is still poignant; in fact, I was even more moved the
second time around than when I first saw this gem.
Basically
the main premise is this: A young man Jamal who has suffered a great
deal in life enters the Indian version of the “Who wants to be a
millionaire” contest and somehow despite his lack of education
knows all the correct answers. This arouses suspicion among the
authorities, and the young man is accused of cheating.
But
the key to his success lies in his past. It seems that all his life
has oddly enough only served this main purpose, namely to prepare him
for the show that would turn him into a millionaire. Boyle has
made other movies that involved suddenly and surprisingly attaining
loads of cash in both Shallow
Grave (1994)
and the surprisingly heartwarming, moving and funny Millions
(2004), but in the case of Slumdog
Millionaire the money is used
as an excuse or mere pretext; it serves as the young man's desperate
but determined plan and means of getting the girl of his dreams
Latika.
Jamal's
life story is told in flashbacks and in direct relation to the posed
questions on the popular game show (the novel this movie is based on
is entitled Q and A and
makes this link somewhat clearer). For example, Jamal knows the name
of an Indian movie star because he fought hard to get his autograph.
Jamal's mean-spirited brother locked him inside an outhouse, but the
resourceful boy manages to escape underneath and shows up all covered in feces
(I read on IMDb it was actually peanut butter mixed with chocolate).
So he eventually asks for the long-awaited and much desired
autograph. From the beginning of his life, we can see he is
determined and obstinate in getting what he wants.
More
interestingly, he knows which US president is portrayed on the 100
dollar bill because of his own heartfelt and sincere generosity.
Jamal gives money to a blind boy who tells him that it is Ben
Franklin's face that can be found on the bill. Had Jamal not decided
to give him the money, he would never have known the answer to that
question. So in a way, it is pure karma that is preserved then and
passed on. Our ethical and generous actions may not be immediately
rewarded, but they will be in due time and course.
Although
a lot of the answers to the questions bring up painful memories,
including his mother's senseless and brutal slaughter during a
religious riot, it seems that everything was predetermined, in other
words, fate. I love the idea that everything that happens to us, no
matter how good or bad serves a distinct and distinctive purpose. We
may not see and understand it in the heat or burning suffering of the
moment, but it seems part of a larger plan of the cosmos, the
eventual fulfillment of the Logos.
It
is this realization that made me embrace this film with my whole
heart. It so happens that when two people find each other, in this
case our star-crossed lovers Jamal and Latika, it was all meant to
happen and every detail in the movie and in life in general may be
nothing but a footnote towards this one moment of bliss. So it
happens in romance when people meet their soul-mates sometimes
seemingly against all odds.
But
the overall outlook is not a mere waiting for good things to fall
into your lap, but to always make
it happen. There were many times where Jamal could have merely given
up or taken the easy way out. But he did not. Even at the very last
where he is unfairly tortured, he keeps holding onto his dreams, his
driving force of hope.
And
it seems that all this time, even if it seemed otherwise at certain
desolate moments, fortune, or call it luck or destiny had always been
smiling and winking at him. Hence the final embrace and yes even the
dance number give us a warm tingling feeling that deep down
regardless of its rough and tough surface everything is all right and
immensely beautiful and simply divine.